ACTION COMICS #23.4 METALLO: John Corben was the first subject of Project Steel Soldier with the Code name Metal-Zero. Although he was believed dead after the Brainiac Incident, General Lane has upgraded him. A year and a half earlier, one officer suggested they transfer Corben to long-term care at Walter Reed Hospital . Bur he gets a new power core made from Kryptonite. But the government feels Corben is mentally unstable but General Lane rules otherwise and Metal-Zero goes live. Metal-Zero is deployed to the Middle East where, despite technology that would save helpless lives, he opts for the most violent solutions. Unfortunately, he blows up a hospital and it gets caught on videophones, which now leads to major embarrassment for Lane who arranges to have Metal-Zero put on an unmanned aircraft and has it detonated over the ocean. Metal-Zero survives and makes his way to Project Steel Soldier Headquarters where he meets with Lane and unravels a conspiracy theory has he constructed. Sergeant Brizaula has been reborn as Metal-Two-Point-Oh. The two battle but the sergeant arms a self-destruct button and both are consumed by the blast. But Metal-Zero has been teleported out by the Secret Society. John Corben agrees to the deal they offer and Metallo is born.
Sholly Fisch, King of the back-up story and Steve Pugh turn in a really good story here. John Corben, the arrogant tool of AQUAMAN #23.2 OCEAN MASTER: We begin with Ocean Master leading his troops in the war again the surface world. but that was then and this is now. Belle Reve is his new home until the sudden appearance of the Crime Syndicate leads to the prison being torn down. Along with all the other prisoners, he breaks out, soon discovering that walking to wherever he is bound is a pain. He comes across a diner where other Belle Reve escapees are menacing the proprietor. Orm intervenes. More chaos is running rampant and a family is being menaced, including a woman with a small child. Orm walks away, even as it looks as though the mother and child will be slain. He enters the ocean and then quickly rises once more claiming “Eight is too young” and heads towards the town, seemingly revived.
Geoff Johns, has he has done on many during this month, provides the plot, along with Tony Bedard who is responsible for the “words”. So we get Orm moving from the mastermind of mass murder on the surface world to an actual attempt to humanize himself by saving some of them. Interesting. Geraldo Borges does his best Paul Pelletier meets Ivan Reis imitation and does a decent job at it. All in all, it should be interesting to see what happens next…whenever next is with this whacked out chronology.
BATMAN #23.4 BANE: Bane is going back to
Well, we get a retooling of Bane’s origin and actually take pity on him…for about three pages until we realize that the hero of his country is still a crazy drug fueled murderer who broke the Batman. Yes…that story is still current even in this NEW continuity. Peter J. Tomasi does what he does best: he creates characters that are totally believable and peppers it with dialogue that sparkles. I wish half the people in this business could write dialogue as cool as this. And the fact that we pair him up with the legendary Graham Nolan is just the icing on top. This is a great story with a great look to it. Thanks DC Editorial for making a GOOD CHOICE on this one!
BATMAN AND ROBIN #23.4 KILLER CROC: Pity poor Waylon Jones who, as a child, had his Auntie Flowers scrub the scales from off his flesh. In
Before this book, Tim Seeley was known for writing GI JOE titles…and this little success story/soon to be a major motion picture called HACK/SLASH. This could be one of his FINEST pieces as he truly humanizes the villainous Killer Croc, who we already known does have a good side as we know of his trying to be a substance abuse mentor for Roy Harper. But this tale of torment and eventually revenge is just totally moving. Francis Portela art is perfectly suited for it and this could possibly be the best single book of Week Four. It sets Killer Croc up as his own King and, while the other villains fight to carve up
BATMAN SUPERMAN #3.1 DOOMSDAY: Beginning many years ago on Krypton, Lara El encountered a monster we now know as Doomsday. Colonel Zod saved her life , though thousands died in the process. Eventually, Zod was sent to the Phantom Zone for his crimes. But the legend goes on from there in the House of El. The story is told of the last knight of the House of El who went to a new world but found himself feared and hunted him. One day, the monster arrived, he fought the creature, saved the people and died in the process. But many finally understood the Word of El and followers took his place. The legend we learn is being told by Zor-El to a young Kara, who we also learn had been in communication with Zod. He explained that is was he who had set Doomsday loose on Krypton to teach them how to be strong. She also told herself that it was all only just a dream and that the monster was not real.
Greg Pak, known for his great storytelling abilities, along with the ultra fine illustrations of Brett Booth, put a unique twist on the DEATH OF SUPERMAN storyline. What makes this take completely interesting is that it is told ON Krypton by Kara’s father. The legend is about something that happens long after Krypton is destroyed. Also very cool is Booth’s versions of the followers of “The Word of El”: the replacements who arrived during the REIGN OF SUPERMEN storyline. So, for all who complain that DC doesn’t respect it’s past, it truly does. And while I don’t always agree with the direction it goes in, I find myself satisfied with this one. And the cover by Tony Daniel, especially in the Lenticular version, is pretty awesome!
BATMAN THE DARK KNIGHT #23.4 JOKERS DAUGHTER: Duela Dent lives in
This was the hottest book weeks before its’ release for a whole host of reasons including the great looking cover, the introduction of Duela Dent into the NEW 52 Universe and the whole concept of the Joker’s Daughter had fans intrigued. It turns out to be a bit of a Feminist statement by Ann Nocenti and Georges Jeanty. Women are downtrodden in the underground society so the demented Dent, whose family history may or may not be real, decides to become a one woman crusader for the rights of those women. Yeah-this might have been super relevant when Denny O’Neal was writing GREEN LANTERN, but women’s rights have progressed in the last few decades. While the art looks good, the story falls flat. Somehow, I don’t see her as a major player in the future, although she will spend some time in CATWOMAN.
DETECTIVE COMICS #23.4 MAN BAT: Dr. Kirk Langstrom has been waiting at
Well, that was quite the depressing read. Ladies and gentlemen: allow Frank Tieri and Scott Eaton to bring you the story of Kirk Langstrom and his fall from grace as he ends up addicted to the Man-Bat Serum and follows in his wife’s footsteps. As he moves from vigilante protector of
GREEN LANTERN #23.4 SINESTRO: Lyssa Dark reveals the slightly slanted history of Sinestro. He is an archeologist who witnesses a spaceship crash. he finds a Green Lantern dying, defeats his attacker, a Weaponer of Qward, with the power ring he has taken from the dying man and then puts the Lantern out of his misery rather than save his life. Abin Sur recruits him and he becomes the greatest Green Lantern ever. He even meets his future wife Arin
Matt Kindt presents the slightly twisted tale of Sinestro’s origin. Slightly twisted is a bit of an understatement as it is filled so a bunch of lies. But lies are only a perception in the comic world. We know that Sinestro was a Lantern and betrayed the Corps. Lyssa’s view has him being the hero of the piece, when we all know that Sinestro nearly destroyed the world, both in this Universe and the last one, on multiple occasions. But the story is great and Dale Eaglesham’s art is phenomenal, complete with extremely intricate borders around each page. All in all, a real nice effort.
JUSTICE LEAGUE #23.4 SECRET SOCIETY: We begin with a flashback, via Alfred Pennyworth of Earth 3, to the
Geoff Johns, Sterling Gates and Szymon Kudranski cram this issue with so many juicy bits that I want this whole event, once concluded, to lead to an EARTH 3 or CRIME SYNDICATE title that would flesh out the world of Earth PRIOR to it’s destruction. And how much do you want to bet that the threat to that world was good old Darkseid and his demons? This was so much fun to read! The art was a little lacking in style for my taste, but the story more than made up for it. I had WAY too much fun with this issue! Nice job Mr. Johns!
JUSTICE LEAGUE OF
Geoff Johns and Sterling Gates write a wonderful return to power for Black Adam, who appears poised to be part of the Anti-Crime Syndicate League of Super Villains. This is such a great story as it follows the revolution and the revolutionaries, including Adrianna who, by tales end has gone from pacifist revolutionary to full on commando taking up weapons. And Edgar Salazar’s art is so close to what Gary Frank had cone on the SHAZAM stories in JUSTICE LEAGUE, that it’s hard to tell the difference sometimes. Overall, this may be the best book of all 52.
SUPERMAN #23.4 PARASITE: Three weeks ago, a bike messenger with an attitude named Joshua Michael Allen gets into a tangle with a “giant booger monster”. He ends up out of work and his girlfriend dumps him, calling him a Parasite. But S.T.A.R. Labs wants to speak to him concerning his health after the incident with the monster. They run some tests and turn him into The Parasite: an alien looking creature that hungers and feeds by draining life and growing as he does. He attempts to commit suicide by jumping off a building in Suicide Slums, getting larger and larger. But Superman arrives to investigate and the Parasite sucks up some of Superman’s power, which doesn’t last long. He finds himself in Belle Reve where he is always hungry and they feed him 9 volt batteries. But then the breakout occurs and we see him hitching a ride to Metrpolois while menacing a mother and child.
Aaron Kuder, primarily known for his art, which is really nice looking and all, handles all duties on this one. And what we get is an arrogant character I really couldn’t care about getting turned into a power hungry alien that I also didn’t care about. I found myself not having any sympathy for him and just didn’t like who he is. This isn’t a guy in a costume: he’s a freaking alien! And menacing a little kid at the end of the book: truly in BAD TASTE! Not my favorite title of the VILLAINS MONTH but not the one I disliked the most either.
WONDER WOMAN #23.2 FIRST BORN: Apollo is creating graffiti at in
Leave it to Brian Azzarello to give us more insight into the Wacky
Olympian Family! What I love about this title, and the WONDER WOMAN title in
general, is that is isn’t JUST ABOUT WONDER WOMAN. It’s about the entire
Olympian family and I believe that is what frustrates comic readers but
fascinates me. This is like watching an episode of THE SOPRANOS on Mythology.
It is TRULY about THE FAMILY Aco provides the art and it is very reminiscent of
Paul Pope’s early work, so I’m okay with that. Another great issue here that
furthers along the legend of the Olympians.