ACTION COMICS #23.1 CYBORG SUPERMAN: This issue begins nine months after Krypton’s destruction on the ruined
city of Argo
with Brainiac tooling about. We flash back and forth throughout this issue as
we see Jor-El and his brother Zor-El debate on how to save their people.
Brainiac finds Zor-El and makes him into a cyborg representative for the House
of El. Cyborg Superman begins touring the universe in search of specifies to
bring back to Brainiac. But his tests are challenging on immoral levels, making
brothers fight brothers and friends grovel to demand his favor, costing the
lives of their friends.
If this was the opening salvo for VILLAINS MONTH it was a real stinker
to start with. I can’t totally blame Michael Alan Nelson and Mike Hawthorne
because they have to work with a character who apparently has made his presence
know in SUPERGIRL, which is where everyone learned Zor-El was the
Cyborg…everyone but me who doesn't read the title or any spoilers surrounding
it. So, when I didn't get Henk Henshaw, I was a bit bummed. But to spoon him
out to act as a black hearted version of the Silver Surfer looking for flowers
for Brainiac/Galactus’ garden turned this tale into a stinky pile at best.
Aaron Kuder and Daniel Brown give us a Lenticular cover that actually looks
really good from arms’ length. And that seems to be the trick with these. Are
they worth another dollar out of my comic budget per book? Probably not, unless
it really bowls me over once first glance. My guess is that I will be opting
for 2D with most of the month.
BATMAN 23:1 THE JOKER: While in the middle of a heist, The Joker
recalls his young life with his abusive Aunt Eunice. Washing his skin with
bleach and saying how she murdered her husband with a Colombian necktie, he was
rather attached to a monkey puppet he called "Gaggy". Back in present
day, the Joker and his gang are allowing a zookeeper at the Gotham City Zoo to
be constricted and consumed by a boa. Then he sees a gorilla with child, gases
mother gorilla and steals the baby. From here, he attempts to create a family
with the monkey, who he names Jackanapes, and his sidekick Flame Dupree in a
house where the rotting corpses of the owners still remain. He tried to have a
father and son relationship with Jackanapes, including teaching him how to
steal and build weapons. Eventually, he learned the Gotham Zoo was being closed
and torn down, so they attacked a council-woman by dirigible, causing the
councilwoman and her guards to mutate because of a device they had created. The
victims turned on the pair, sending them out of the airship. Joker survived,
but Jackanapes fell into the river and drowned. The Joker laughed, realizes he
was owed money for swimming lessons that didn't work.
How can you go wrong with this one? Written by Andy Kubert and illustrated
by Andy Clarke with a killer Lenticular cover by Jason Fabok, this book is the
reasons The Joker needs his own series again. He‘s a crazy psychotic who
sometimes has a heart of tarnished gold. All he wants to do is raise a family
and unfortunately his best effort isn't enough. C‘mon-raise your hands: who
cried when Jackanapes died? Sure you did. Twas Beauty killed the beats and all
that! This was a winner from page one right to the very end.
BATMAN AND ROBIN #23.1 TWO-FACE: Batman is gone and Two-Face has two choices: save Gotham
or make it bleed. As he flips, Scarecrow grabs it and hands him another coin: a
communication devise used by the Secret Society. The coin flips Heads meaning he becomes a
public defender as he did in his past life. He starts killing off the bad guys
and dragging any survivors to the courthouse. Harvey ends up on the judge's bench, flipping
his coin. It’s heads for life in prison and tails for death. A gang bursts in
representing the Secret Society. Since Harvey
has broken his promise to the Society, the gang kills everyone in the court
room. With that, he shoots the gang members dead and places the Society's coin
into the mouth of the dead leader. Harvey retrieves his own coin and again vows that heads
means he saves Gotham and tails means he makes
it bleed. The coin lands Tails-side up. Watch out Gotham :
Two-Face is back.
Peter J. Tomasi and Guillem March turn Harvey Bullock back into a hero
for the briefest of moments, doling out justice to the bad guys of Gotham . But then, it all comes back to the coin flip and
the final flip causes Harvey
to flip AGAIN. His was a fun story for me. Nothing groundbreaking-no origin
piece like many of the other tales this week. Just a fun tale of a former
crusader protecting his people again. Guillem March’ art looks awesome as
always. I wish the same could be said for Chris Burnham and Nathaniel Fairbairn
cover which may have looked great in 2D but certainly suffers from the crummy
Lenticular process here.
BATMAN THE DARK KNIGHT #23.1 THE VENTRILOQUIST: Even though the power is out all across Gotham
City, it appears the old Melodian Theatre is open, offering light, shelter, and
food. It’s current resident is ventriloquist Shauna and her partner the
Fantastic and Frisky Ferdie. She tells of her youth, how she was born to a
concert pianist and a ballerina. Bur she was also a twin. Her brother became a
child star who eventually won himself a recording contract. She sabotaged the
chains on a swing he was on, it snapped, and he broke his neck. This is how her
doll got his name. She soon found herself being spoiled by her parents,
poisoning a punch bowl and stealing Rainbow Rodney’s dummy. She was responsible
for a crime wave recently, but killed the officers taking her in and now she is
free. In the middle of her act with her captive audience, gangs break in and
she and Ferdie appear begin killing them off. When all the killing is finished,
Ferdie finds Shauna has poisoned her audience.
Maybe it’s me, but I really like the new Ventriloquist. I have trouble
trying to figure who is crazier: Shauna or Ferdie. With the OLD DCU
Ventriloquist, you had a mile mannered man who seemed to be haunted by the
dummy. Here, we have a crazy woman who seems to be HAUNTING the dummy. No
matter what, she is a certified crazy woman and will be a villain for a long
time to come. Great work from Gail Simone and Derla Santacruz under a real
creepy cover by Pat Gleason, Mick Gray and John Kalisz. In fact, it is one of
the few Lenticular covers that really works well, especially from a distance.
DETECTIVE COMICS #23.1 POISON IVY: Gotham City is a complete mess and Batman is M.I.A. Poison
Ivy decides it’s her time to take the city back to it’s roots.-literally. She
causes a variety of havoc while being reminded of her time growing up. Born
with a skin condition that keep her out of the sunlight, she and her mother
constantly had to deal with her abusive father. He father eventually killed her
mother and buried her within her flower garden. In the present, she takes revenge
on arsonists destroying a beautiful garden by burying them in the garden. In
college, she created designer drugs which helped get her in jail. But she had
used her pheromone pills on the Dean. So, charges were dropped, and she
graduated Summa Cum Laude. After college, she visited her father for the first
time since the murder and kissed him on the lips with an untraceable toxin that
killed him by the next morning. Soon she landed an internship ay Wayne
Enterprises and helped develop pharmaceuticals and cosmetics. She arranged a
meeting with Bruce Wayne and pitched a pheromone project, but he fired her on
the spot. She tried to steal back her work, but got doused in her
chemicals. This made her immune to
poisons and gave her a connection to The Green. Becoming an eco-terrorist, she
spent some time with the Birds of Prey before she left them. Now, with batman
gone, she returns to Wayne
Tower and ignites a fire
in the chemical lab. Soon, all of Gotham is
covered in plants.
Right off the bat, this book ends up with one of the best looking of
the Lenticular covers by Jason Fabok. But, when you have a busty super villain
on your cover in 3D you can’t lose. So, let’s go to the inside of the book. We
get some nice back story on Pamela Ivey’s early life and that does a great job
of coloring a character we all thought we knew in the days of the OLD DCU.
Derek Fridolfs, someone I am totally unfamiliar with, does a great job with
this story, especially when it is set in this past. As it tries to mesh with
the current story, it tends to fall flat. The art from Javier Pina is great.
Despite all the complaints in fandom, I find this a great issue to read.
EARTH 2 #15.1 DESAAD: Five years in the past, DeSaad was ready to
attack the few survivors on earth when he fell into a Boom-Tube and ended up on
another Earth. He ends up off the coast of Hawaii where he immediately begins torturing
people to feed upon their emotion. Four years later, he has set up a base in
the Congo
with the intention of building a Boom
Tube to get back home. Unfortunately someone has stolen the quantum tunneling technology from Holt Industries and Holt himself has gone missing. He
eventually discovered it in the possession of Karen Starr. With the help of Hakkou,
he decided to destroy it rather than have her retain it. He also gets depressed
that he can’t seem to influence an artist who is more concerned with his art
than anything else. Someday, Darkseid will come back to retrieve him.
Wow: what a major whiny god is DeSaad. I found this to be one of the
least entertaining of the VILLAINS MONTH books thus far, be cause he is
supposed to be the big bad mental torturer and all he does in complain about
NOT being back hope with Darkseid. Paul Levitz: shame on you. This is awful! And
it has nothing to do with your writing, but the characterization is so trying.
“I’m the great and powerful DeSaad and I miss Darkseid.” To quote
Megadeth: “Nice story ... Tell it
to Reader's Digest!!!” Yildiray Cinar:
your artwork is cool. Nothing amazing, just cool. The cover is by legend Ken
Lashley and rocks, even in the non 3D version.
THE FLASH #23.1 GRODD: Following all that transpired during the recent
Gorilla Wars in both Central and Keystone City, the apes of from Gorilla City
have decided to help rebuild. During an unveiling a a Flash statue, an
unscheduled eclipse occurs, interrupting Solovar’s speech. Grodd appears,
destroying the statue and claims he owns the Speed Force now that The Flash is
dead. Pied Piper attacks, but is swatted away. Solovar attempts to stop Grodd
with psychic attacks to no avail. He rips the Flash symbol from the statue's
chest and sends it through the chest of his enemy. Rather than risk the death of
humans or apes, Solovar surrenders. Grodd intends to begin constructing Grodd City
on the ruins of Central and Keystone
Cities and, within days,
humans are enslaved in camps. Grood rechristens Central City as Gorilla City . He murders Chroma as warning to
other villains, and chains Solovar to the Flash statue as punishment. One of
the elders begs Grodd to stop humiliating Solovar and the gorilla leader
decapitates the elder, placing it on a pike alongside the heads of the mayor
and Chroma. With no challenge ahead,
Grodd leaves the Gem
Cities , Levin his army
totally confused as what to do next.
Okay, that Grodd is a bad mother…shut your
mouth…I’m just talking about Grodd! Can you dig it? Wow! This is not just some
intelligent monkey anymore, is he? No, he’s a bloodthirsty, killer monkey who
has been through the Speed Force. He has killed his own people, the mayor and
now tortures one of the great elders of Gorilla City .
What a great use of this underused character. This ape is truly mad, bad and
dangerous to know! Brian Buccatello and Chris Batista give us a great
non-origin story that fleshes out the beast known as Grodd. Francis Manapul
brings us a great looking cover that just doesn't work in 3D. This Lenticular
process is certainly hit or miss with some books looking awesome and others
just looking bad. This is truly one of the bad ones!
GREEN ARROW #23.1 COUNT VERTIGO: We begin today with Count Vertigo making a visit to a dilapidated
Health and Research
Center . When he was a
young boy, Werner Zytle and his mother escaped from the war torn country of
Vlatava and head to Vancouver .
His father, who was next in line to be king, was murdered by rebels and his
mother blames him for them having to leave. They had lost everything and she
was forced to become a prostitute, making him hide in his room while she
worked. She eventually got a payment from the Crius Mental Health and Research Hospital , where they took him and
experimented on him. Ten years ago, Dr. Witchell designed a new model of the
vertigo devise Werner had been fitted with and praised his progress. Werner
responded by deciding to leave and punish Witchell by causing his head to
explode! A year later, Werner was back in Vlatava and making his way into HIS
castle and calling himself Count Vertigo. Today, Vertigo is in a brothel in Calgary where he visits
his sick and drug addled mother. While she is glad to see him, he tells her she
is not fit to go back to the homeland and he uses his abilities to kill her. He
then orders that her body needs to be burned, as well as the hospital. Now it’s
time to go back to Seattle
and settle the score with Green Arrow.
What a huge difference the team of Jeff Lemire and Andxrea Sorrentino
has made on this title. Count Vertigo’s twisted and sad origin story is a
modern classic. We get a displaced monarch in waiting, a prostitute mother who
sells him for research who becomes a tormented child seeking revenge. Once he
gets enough power, he takes his revenge on his captors and then, eventually,
ends up becoming a true monarch, uses his resources to find his mother and then
take revenge on her. This is some extremely heavy stuff going on here and that
is why this book is fast becoming one of my favorite NEW 52 titles.
GREEN LANTERN #23.1 RELIC: The story
begins in Relic’s universe, where the Lightsmith’s were using too much power.
He tried to warm his people but they treated him like the people of Krypton
treated Jor-El. The various lights within his universe began to burn out,
eventually burning out all lights in his universe. Billions of years pass and
Relic has been freed by Kyle Rayner and his Guardians. And since no one
listened to him before, Relic is determined to make people listen now.
This
is a fairly lightweight lead-in to the LIGHTS OUT SAGA that will cross through
all of next month’s Lantern titles. Robert Vinditti does a nice job of
introducing the character fully and giving us his motivation. The saving grace
in this book is Rags Morales and his beautiful art. The cover gives me a
headache and Green Lantern does NOT appear anywhere in this book. This is
probably one of the weakest of this first week’s worth of books.
JUSTICE LEAGUE #23.1 DARKSEID: We begin long ago on a planet of “mortal mud-grubbers”. Their gods were
giants that didn't care for their people and regularly trashed their homes.
Uxas hated the gods while his brother-in-law Izaya and his wife Avia were
devout and thought Uxas’ hate would be the death of them all. That night, he
whispered lies into the gods’ ears and that led to war amongst them. One fallen
god revealed to Uxas that the gods fed on faith. Uxas slew him and took his
power, eventually killing all the gods and taking their power. This transformed
him into Darkseid. Izaya and his wounded wife fled, but stopped at the dying body
of the lord of the sky. The god died as did Avia, but he bestowed his last bit
of power to Izaya as he did. Izaya faced Darkseid, claiming they were the New
Gods and should use their power for good. In response, Darkseid destroyed the
world and created Apokolips. Amongst the horror that was Apokolips, Kaiyo the
Chaos Bringer teleported to worlds where super beings existed that rivaled his
own power. He would challenge and destroy each hero and each world. One universe
defeated him. But this only may him vow to kill every Superman everywhere.
WE HAVE A WINNER HERE!!! We are presented the NEW 52 origin of Darkseid
and Highfather. And it is about as perfect an origin story as it could be for
the ruler of Apokolips. This is one spectacular gem of a story! And it happens
to be Greg Pak who brings it to us! Not NEW 52 Architect Geoff Johns…Greg Pak!
The guy who did some amazing stuff with Bruce Banner’s alter ego gives us a
great story that defines the legendary villain. We have Paulo Siqueira doing
the art. Now, Siqueira is no Jack Kirby, but his work is okay to look at. And
the cover by Ivan Reis, either in the Lenticular version or the standard 2D
version is awesome. The Lenticular is truly amazing as the 3D effect works to
true perfection. No squinting, no tilting it from one angle or another. Look at
it dead on from arms’ length and prepare to be blown away. This is TRULY my
pick of the week and has set the bar very high for the rest of VILLAINS MONTH.
JUSTICE LEAGUE DARK #23.1: THE CREEPER: We begin back in 16th Century Japan where we
meet a boy named Jakku who was possessed by a demon called The Oni that, for
over two decades caused havoc. Eventually, he was taken down by a Samurai from
a team known as The Outsiders and ended up becoming one of the souls within the
Soultaker Sword. Eventually, the rest of the team turned on the Samurai, as it
seemed his sword developed a life of its’ own, and ended up being sucked into
Soultaker. Once inside, the Samurai meets everyone who ever ended up in the
blade, including The Oni, now know as The Creeper, who proceeds to hang the
Samurai for 100 years. Then one day, specifically KATANA #4, the Soultaker
blade was broken and The Creeper and the Samurai were free in modern day San Francisco . The
Creeper finds his way into the corpse of Jack Ryder, who died in THE PHANTOM
STRANGER #7, and then takes over a janitor named Gallagher. Once inside the
janitor, he wreaks havoc, burning a building down and forcing him to take the
blame. First on the scene the next day is the late Jack Ryder. It appears that
Ryder sleeps at night, freeing The Creeper who does his damage. The following
night, The Creeper tears up a biker bar and causes a tornado, just as he did in
olden times. The following morning, Jack Ryder finds himself the only survivor
and is ready to report the news.
Let’s make the short and sweet: AWFUL. A dumb origin, a sequence the
feels like it came from GHOST RIDER and cornball dialogue. Shame on Ann Nocenti
and Dan Didio(well-THAT EXPLAINS EVERYTHING!!!) for delivering this upon us.
Pencils by Chriscross, Fabrizio Fiorentino and Tom Derenick, along with a trio
of inkers and colorists cannot save this book. Neither can a cover by super
talented Mikel Janin that is a headache inducing mess. Did I already say AWFUL?
JUSTICE LEAGUE OF AMERICA
#7.1 DEADSHOT: Young Floyd Lawton used to suffer from survivor’s guilt. When he was a
child, his parents and sister Jenny were inadvertently killed when thugs in the
next apartment got shot to death as part of a mob hit, leaving Floyd an orphan.
He went to the apartment of the junkies, took one of their guns and learned how
to shoot it. He became quite good over the years and put his talent to use,
deciding early on to NEVER take an
assassination job for free and never missing his target, which is how his
family died. For some time, Lawton ,
now known as the assassin Deadshot, has been a member of Amanda Waller’s
Suicide Squad. But that Squad has been disbanded and he has decided to kill the
man who once ran Ace Chemical. That was before he began using the company's
chemicals to provide power for an armored suit he designed. Deadshot takes him
out which now completes his goal of killing the man responsible for hiring the
hitmen that killed his family. He also takes out the man’s son so he doesn't grow up to seek revenge on Lawton .
Finishing this mission, he gets a call from Waller, telling him Belle Reve has
been destroyed and she needs his help. He agrees for a price. The government
wires 10 million into his account and he is ready for his next mission.
Well, this was an interesting take on the early
life of Floyd Lawton and his metamorphosis into the assassin known as Deadshot.
And if you can’t actually find a soul inside Floyd Lawton after the way his
childhood was interrupted so violently, then you haven’t quite gotten it. I
understand Deadshot’s needs now and why it’s all about being the best marksman
and getting paid to do it. The old DCU Floyd Lawton had father/son issues which
always made him somewhere between hardcore assassin and The Punisher. Matt
Kindt knows Floyd Lawton because Matt Kindt has had his hands all over SUICIDE
SQUAD. Sami Basri provides the art on the current story sequence while Carmen
Carnero provides the art for the flashback part of the story. All in all, a
great issue that paves the road for a possible DEADSHOT series. Not saying
that’s a sure thing, but they are giving Mr. J’s #1 gal her own gig.
SUPERMAN #23.1 BIZARRO: Five years
ago, at the beginning of his crime fighting career, where Superman breaks free
after being held by Lex Luthor. In the process, he spills blood upon Lex’ suit,
which now gave the bald genius a DNA sample and the raw material with which to
create a superhero who could rival Superman. Luthor eventually selects a test
subject and injects him with his drug cocktail that causes his muscles to grow
and his skin to turn white. He breaks free and begins to rampage through the
lab. Lex opens fire with a Kryptonite gun that has no effect on the creature.
So he releases the Lexbots and the Transdimensional Quantum Tunneling Hounds. When
nothing fails to stop the creature, Lex decides to abandon the experiment,
pulls a switch and causes the creature to explode into chalky goo. So his next
move is to clone a new hero from pure Kryptonian DNA. The finals shot we see is
a test tube marked B-0. B-O=Bizarro.
I
totally feel like I have been screwed! Let me firsts start with the good
points. 1. Aaron Kuder’s art on the cover is nice and the Lenticular effect is
prettry amazing. 2. Jeff Johnson’s artwork is really nice and his pacing is and
layout is pleasing to the eye. 3. It only runs for 20 pages. Thus ends the
good. The bad? EVERYTHING ELSE! Sholly Fisch, the king of ACTION COMICS back-up
stories, is in charge and I now know WHY he only gets back-up stories. This is
a MAJOR pile of doo-doo. First off: the dialogue is totally stale and not even
bad Eighties dialogue. Second: we go through an entire issue and don’t even get
the character portrayed on the cover. We get a rampaging failed experiment that
eventually will LEAD to Bizarro. We have been led down the road expecting this
poor test subject to become that classic “Me Bizarro” guy and instead we get
someone with less dialogue than Solomon Grundy. This was a complete waste of my
time and my money and if THIS had been the first NEW 52 book I was to ever
read, I would NEVER pick up another DC book ever again.