Thursday, July 11, 2013

DC's NEW 52 Month 21, Part 2



JUSTICE LEAGUE #21: The back-up becomes the feature as we get the final act in the origin of Shazam. We begin in Philadelphia where the Seven Deadly Sins are laying waste to the town, as Doctor Sivana realizes that they are too powerful for him. They find Mr. Bryer, enter him and he becomes a flaming devil with a pentagram on his chest. Black Adam threatens to kill Freddy if Shazam doesn’t release his power to him. So Billy says the magic word and suddenly Pedro, Mary, Eugene, Freddie and Darla are transformed into the Marvel Family. They join together and attacked Black Adam and the transformed Mr. Beyer. Billy applies some power to Tawny and the tiger attacks Black Adam, but in doing so, drains powers from the rest of the Family. Billy realizes he can’t beat Adam, says his magic word and returns to his old self, as do his brothers and sisters change back. He challenges Adam to a fair fight and Adam changes back, grows old and turns to dust. In the process, the Seven Deadly Sins leave Mr. Beyer and he is left naked in the st6reet. Everyone is happy, Magic has a new champion once again and all have a merry Christmas. Except for Doctor Sivana who discovers a talking worm in a bottle named Mr. Mind.
Okay…NOW I WANT MY REGULAR SERIES!!! Geoff Johns and Gary Frank have revitalized the Big Red Cheese for the new Millennium and I LOVE IT! The whole creation of the Marvel Family was pure genius; even if they don’t resemble the Marvel Family of old (Captain Marvel Jr. with long flowing Thorlike locks?). The dialogue was smart and snappy and this whole epic was a blast to read. Gary Frank’s art screams off the pages and you can credit a lot of that to colorist Brad Anderson. I so want this book to be a regular series that someone CAN’T SCREW UP! C’mon DC: you owe this to us after having shoved so many awful NEW 52 titles on us!
JUSTICE LEAGUE DARK #21: Madame Xanadu sees visions of death and destruction twenty years in the future, where most of the Justice League Dark are murdered by Doctor Destiny, leaving only her and Constantine, who is possessed by Deadman. Destiny calls her mother, she kisses Deadman and the end of the world begins. Xanadu wakes as Doctor Destiny informs the team that she is indeed his mother. Frankenstein attacks as Deadman goes to free Swamp Thing. Destiny is protected by a demon and Frankenstein is trapped in the Den of the Firefeeders. Destiny explains that he was raised by his father and nurtured by the Cult of the Cold Flame who gave him the Dreamstone. Deadman enters the Swamp Thing’s body and uses the wood from the House of Mystery to create an army that traps Destiny. Flash arrives, having taken care of the most of the nightmares that were causing havoc in Manhattan. Flash searches for Frankenstein and rescues him for the second time. Xanadu, having seen the future, grabs Frankenstein’s sword and cuts the ruby from his chest, reducing him to nothing. She gives the Dreamstone to Constantine and he asks her who Destiny's father was. She replies that some secrets are best left that way. She also knows that, if the world is to survive, she must walk the path alone.
Jeff Lemire and Ray Fawkes end this tale, which sets up the TRINITY WAR beginning next issue, with a bang! Xanadu obviously has secrets in her closet after all these years with the Demon Knight and, for all we know, Jason Blood or his alter ego is Doctor Destiny’s father. I could buy that. For that matter, it could be almost anyone in the mystical corner of the NEW 52. Either way, this was a nice ending to a cool lit5tle story that reminds us that there is a sordid past here or this may all come into play during the TRINITY WAR Great looking art from Mikel Janin and Vicente Cifuentes helped to push the story along, along I could have done without the Flash/Frankenstein connection. Does that mean our stitched together creature will be the new Kid Flash?
JUSTICE LEAGUE OF AMERICA #5:  Green Lantern Simon Baz gets his criminal record wiped by A.R.G.U.S. and joins the JLA., just as they received word that something bad has happened to Dr. Light. Elsewhere, we have a dead Catwoman that turns out to actually be Martian Manhunter in disguise and very much alive. Ivo sends his robotic Justice League after Hawkman, who is saved by Stargirl while Blockbuster and the Society’s leader are attacked by Manhunter and Catwoman, who has been hiding in the rafters. Green Arrow, who along with the other JLA members, has been freed by Stargirl, chases Ivo until he corners him in the same room as Chronos,  who causes a temporal neutral field to that freezes the manor in time. The Society can stay in the manor because of their coins, but the JLA must leave quickly. As they leave, the mysterious leader of the Society tells Martian Manhunter that it was nice to see him again. Despite capturing some of the members, the house disappears and takes the leader with it. Later, Amanda Waller tells Steve Trevor that she is disbanding the current JLA. Trevor fights for this team and she allows him to make this team into the team he thinks they can be. She gets a call from the Puzzler, explaining that the stained glass that got pieced together from the manor is part of an image of the Pandora Box. She checks in with Dr. Light and tells him she will help him if he helps her. In the back-up, we see how Martian Manhunter took Catwoman’s place and he remembers a parasite named Thoth who could inhabit any body with his thoughts. Could this be the leader of the Society?

First off, several buckets of rotten tomatoes need to be tossed at Geoff Johns for the swerve regarding Catwoman’s death. Sure, we all knew there was a way to get out of it, but with the whole stolen identity thing floating about from pieces laid down in her own title, I thought sure that would be the payoff. But Martian Manhunter? Hell, you may as well have gotten Plastic Man involved, or is he not here yet? Discounting that, this was an average issue that showed the good guys beating the bad guys, the mysterious leader still being mysterious and Steve Trevor standing behind his team, just as Amanda Waller had hoped for. Brett Booth and Norm Rapmund do a nice job on the art and we fly headlong into JUSTICE LEAGUE #22 where the TRINITY WAR goes on. Regarding the back-up: I tire of these tales. Okay, so we see how Martian Manhunter did the switch and then get a lame tale of his past that may or may not have anything to do with the current story. Seriously, find a way to get these back-ups gone, or do an anthology title which could have a BUNCH of these together for $3.99.

LARFLEEEZE #1: The issue begins with Larfleeze and his space butler, Stargrave, floating towards potential death. They are heading towards the edge of the universe, Larfleeze’s ring will be out of power in fifteen minutes and he’s lost all of his stuff, including his Power Battery. So he relates his origin story as the pair head towards doom. We see his birth and how he fought to survive being one of seventeen children. Eventually he finds the Orange Ring and Power Battery on Okaara. Stargrave realizes that Larfleeze’s ring should have died and believes that Larfleeze has become the battery. That is when Starjumper leaps from the void of creation at the edge of the universe and attacks, eating Larfleeze. His ring allows him to explode out of Starjumper’s stomach. The Laord of the Hunt emerges from the Void of Creation, upset that his dog was just killed. Larfleeze sees all of the potential treasures The Laord is carrying and, since he is all about material goods, he attacks. That doesn’t sound like such a great idea.

This is certainly a title that isn’t for everyone, even fans of the Green Lantern portion of the universe. Keith Giffen is responsible for the plot and the artistic breakdowns, J. M. DeMatteis is handling the script and Scott Kolins is the finish artist. The opening credit list is hilarious and right off the bat you KNOW this book seriously does not take itself seriously (credits like “Joey Cavalieri is worried” and “Kevin McGuire” will enjoy seeing his name in these credits. Larfleeze’ birth, complete with him dropping out of mom who continues to drag him, still attached by his umbilical cord, for several panels, is insane and just a small example of Keith Giffen’s crazy sense of humor. The art is quirky, the story is wacked and this book could be the sleeper of the year. Again, it’s not for everyone as Larfleeze is pretty much a one sided character who lives for what he can acquire. But Stargrave is the voice of reason, kind of the Alfred to an intergalactic Batman who is more like Lobo than Bruce Wayne. I figure to give it a few issues until, much like DEADPOOL was known to do, the joke runs thin.
THE MOVEMENT #2: Virtue leads Officers Witt and Peña to their headquarters in an old garment factory. Long ago, women died in a mudslide at this sweatshop. They meet the same girl they tried to assault last issue who slaps Whitt across the face before Virtue gets to lock them in a cell. Vengeance Moth informs Virtue that Mouse is in anguish because one of his favorite rats. has died. Although Virtue tries to comfort him, he feels the need to eat the dead rat named Trouncer. The teens have a meeting to discuss what do to next. Amongst much disagreement, Tremor threatens to quit if any harm comes to the policemen. Katharsis accuses Tremor of being a traitor and leaves to find the Cornea Killerby herself. She breaks into James Cannon’s penthouse and accuses him of ordering teams off the Cornea Killer case. He has two barely dressed women pull guns on her and tells them to shoot her. She overcomes the girls but Cannon has a group of  police to apprehend her, insisting that she IS a cop. Meanwhile, Captain Meers accounts for all of the missing police men except for the captured pair. Eric Yee insists they go back to the 'Tweens neighborhood to get them, but Meers squashes that plan because of the rats and the earthquake. Virtue and the rest visit the witch, only to be attacked by a group of thugs who find they are no match for the team’s abilities. The thugs run off as the Weather Witch known as Rainmaker appears.
I still have mixed emotions about this series as I still haven’t figured where Gail Simone is going with it. What I DO LIKE is the introduction of the Weather Witch known as Rainmaker. Could this be Sarah Rainmaker from the old GEN 13 series? Is THE MOVEMENT the new GEN 13, especially since THE RAVAGERS is no longer. Anyway, I like Simone’s writing, always have, and she is doing a nice job of dropping the smallest number of clues possible around this book. So your either give up on it now or hang in for the long haul. And Freddie Williams II’s art is cool. There is just something special and creepy about having a character wanting to eat his own dead rat friend and Williams pulls it of beautifully. So, I’m going to hang in for awhile, solely on Simone’s name and ability. Now, how this ties into THE GREEN TEAM is still anyone’s guess.
NIGHTWING #21: We begin with the back story of how Chocago’s super hero population was declining, due to a series of vigilante murders known as the "Mask Murders". The last known hero was Slipshift, who was gravely wounded but managed to use his ability to escape his intended killer. Meanwhile, Nightwing has been trapped by The Prankster and can only save himself by removing his mask. He douses the flames with a flame retardant capsule and gets free of his glass prison. The police arrive and Nightwing cons The Prankster into getting his vision back and actually rescues the villain from the police, and then knocks him out. When The Prankster wakes, Nightwing explains that he needs help tracing an email back to its source. The Prankster determines that Tony Zucco sent the email from inside City Hall and points to someone known as Billy Lester, who didn't exist until three years ago. Nightwing, despite promises otherwise, handcuffs the Prankster and leaves him for the police. Nightwing finds Lester's house and photos confirm that Lester is Zucco. When the police get to the roof where the Prankster was, all that is there is his mask. Meanwhile, Dick's roommate Michael is offered a video camera from the incident the night before. If Michael uses it, it could make his career. And why IS the police giving up evidence anyway?


Kyle Higgins and Brett Booth continue Dick Grayson’s Chicago adventure and this is some of his best adventures since he dug himself out of the sewer known as Bludhaven. The concept that Tony Zucco is alive and well will upset, and I am sure already has, many fans. But we all know that a tragic character comes full circle when they meet the source of their origin. Bruce Wayne dealt with Joe Chill, Peter Parker dealt with the burglar and Bruce banner has learned to embrace the Gamma Bomb. I’ve always been a fan of Brett Booth and that continues here. This is a totally fun book with Higgins managing to keep Dick away from the rest of the Bat Universe and stand on his own. Great job!

PHANTOM STRANGER #9: The issue begins with The Phantom Stranger strung up in a tree in Hell while Etrigan plays a pan flute. Through flashback, we learn that with the help of Justice League Dark, he has managed to descend into Hell to find his family. Once he arrived, Etrigan and The Sin Eater took him through a tour of Hell. Once he finds his family, they turn out of be soulless shells that are eating rats. To save his family, The Phantom Stranger offers Etrigan a deal, which is how he ended up strapped to the tree? The Sin Eater refuses to let the family go until The Stranger gives up his love and his memory of them. He agrees, but then we find out that Etrigan is really the Godhead that appears as a dog and gets his memories back. To truly get them back, The Stranger has to climb the spiral staircase to heaven. Meanwhile, Terrance Thirteen sits drunk in a bar mourning the fact that he killed The Phantom Stranger.
Now that Dan Didio is no longer plotting this title and it’s all in the hands of J. M. DeMatteis, the book actually ALMOST makes sense. Anytime you have a book with a whole bunch of the characters from The Dark in it, you should have a winner. And the fact that it took THIS LONG I blame on Dan Didio, because we all know how BADLY I HATED the first issue for it’s less than intelligent plot and super dumb dialogue. And you have to figure it needs to start working as this book gets renamed with the next issue to TRINITY OF SIN: THE PHANTOM STRANGER. When you throw in the art of Fernando Blanco, the book visually takes on this weird Dore style to it. It was a long wait but I’m glad to see it’s finally paying off for me!
RED HOOD AND THE OUTLAWS:#21: Roy Harper is venting his frustrations about Jason Todd being mind wiped to his therapist Dr. Hugo Strange. Essence arrives and tells Starfire that Hugo Strange sold them put to claim the bounty on their heads. Starfire bursts into the session and tells Roy this news just as the Untitled shows up, causing Hugo Strange to run for his life. They reveal that Jason has been taken by the League of Assassins. Drakar says if Roy and Kori help them storm the Assassin's gates, they will let Jason go free, and they will never hear from the Untitled again. Kori refuses to join him as she knows they will be betrayed by the Untitled. Roy insists that he and Jason will come back and find her when they get out of this. Meanwhile,  Jason finds himself under attack by Rictus, Lady Shiva and Cheshire, who trained him even though he has no memory of it. Shiva suggests they reconsider the plans they have for Jason as they believe he is not ready. Jason gets led into the hidden city by December Graystone and Bronze Tiger: the city that Ra’s al Ghul has spent centuries building.

James Tynion IV continues to infuse some real nice energy into this title that only a few issues ago was lagging. I still have a lot of issues with Starfire’s character and really feel this should be a buddy book with Roy and Jason-kind of the new version of the old Ollie and Hal team.With the introduction of the League of Assassins into the NEW 52 universe, this presents a whole new set of chess pieces in play. In the OLD DCU, Bronze Tiger ended up being a part of the Suicide Squad and I could see that happening here, especially with developments over in that title. Julius Gopez is the artist this time around and his work is rather dynamic, especially his Bronze Tiger who never looked as mean and lean as this version. I rather like his style and certainly could go for seeing more of his work. 

RED LANTERNS #21:  Atrocitus kills Red lantern Phist because there is a Guardian listening device inside of him. He declares they are done being tools of Guardians. He sends out ten more rings to find ten new recruits while ordering the other Lanterns to take Rancorr’s constructs from him by force. Meanwhile, Hal Jordan informs Guy Gardner of how he has been appointed leader of the Green Lanterns and how he needs Guy to go undercover in the Red Lanterns. Guy is hesitant after having gone through being a Red Lantern before. Finally, at the Warrior’s Bar on Oa, finds a way to channel his rage and decides he must do as Jordan has asked. Guy returns to Ysmault, almost kills Atrocitus and takes his ring, thus becoming the new leader of the Red Lanterns.
And now this title gets good again! Charles Soule and Alessandro Vitti are the new creative team and infuse this book with something that Peter Milligan just couldn’t. I don’t know if I like it because it’s a new direction or because Vitti’s art is clean but also quirky enough to fit with this title. Soule has earned his spot on two very good books with dedicated fans: this one and SWAMP THING. He has a lot to prove, but apparently has some fans in the mainstream comic world as he starts writing THUNDERBOLTS for Marvel with issue #12. Let’s hope he can keep his momentum and focus in check on this title

SUICIDE SQUAD #21:  We start seventeen days from now as Deadshot and the team battles a giant with the promise that they will be free of the Squad. Flashback to now where Amanda Waller and her new adviser James Gordon Jr. watch thrusts a knife into the Unknown Soldier's gut. Harley heads to Waller’s control room and manages to knock her out with the butt of her knife and takes the remote detonator from her. Meanwhile, Deadshot learns he and Voltaic have survived death becausde they have received the Samsara serum made from Mitch Shelley's (Resurrection Man) DNA. Harley releases him and, when Cheetah begs him to let her out, he refuses and leaves her behind. Deadshot challenges the Soldier to hand-to-hand combat and defeats the bandaged soldier with a headbutt, before Gordon knocks him unconscious. Gordon arrives in the control room and cuts a deal with him that would allow the team to work better. Seventeen days later and Waller has been allowed to live provided that the team, consisting of Harley, Deadshot, King Shark and Cheetah, will be freed in 11 months.

Another fun filled issue of the best guilty pleasure title in the NEW 52. New writer Ales Kot(who will be leaving this title after issue #23), along with artist Patrick Zircher, continues to take this book so far away from the old DCU version that they should almost lose the SUICIDE SQUAD name and call it something different…but I guess THUNDERBOLTS was already taken! Based on the fact that we never got to see a proper end to TEAM 7, we really don’t know how Amanda Waller managed to get this gig and how she decided to pick the villains she did. But we do know that the addition of James Gordon Jr., who is NOT as dead as his sister, father and mother think, adds a whole new dimension to a team that is already the most unpredictable in comics today. Not only do we not know who will survive from issue to issue(although the body count has dropped substantially since the early issues), we don’t know which lunatic is running the asylum. Yes, this is still one of my favorite titles and has been that way since issue #1.

SUPERMAN #21:  The Queen of the Holistic Integration for Viral Equality (H.I.V.E.) is observing Hector Hammond and manages to get one of the S.T.A.R. Lab scientists to infect the other scientists with H.I.V.E. mind. This allows The Queen’s army to kidnap Hammond. Meanwhile in Gotham City, Clark Kent meets with a confidential source who turns out to be a female in battle armor toting a very large gun. She presents Clark with a folder with information on “The Twenty." Back at the kidnapping of Hector Hammond, a loose wire on his chair touches the water of the sewer he is beingi carried through and suddenly, and momentarily, he enters the minds of everyone in Metropols. But his presence leaves after effects that Superman is soon investigating. He rescues Lois when she thinks she’s invulnerable, he talks Jimmy Olsen off a ledge and has to convince Perry Whites that he isn’t Superman. At last, the drones bring Hector Hammond to the Queen. Unfortunately for her, he’s not unconscious and she is not in control.
 
How do you take one of the iconic characters in pop culture and ruin him? First make a pretty awful movie and then turn at least one of his FOUR comic books into a pile of poop! The Holistic Integration for Viral Equality? Well, that really isn’t much better than the Hierarchy of International Vengeance and Extermination as it was known in the old DCU. Also, when did this become the adventures of Hector Hammond? If you really want to use the character, than USE HIM! Stop this whole “I’m a big headed comatose bad guy with potential”. By the way, did we forget that last issue ended with a disfigured Lana Lang wandering through a destroyed city in Superman’s mind? Apparently Scott Lobdell has phoned in another truly awful story with plotlines that just are silly. Perry White is Superman and Lois in invulnerable. When did this become the Silver Age of Comics again? Can we get a revived LOIS LANE SUPERMAN’S GIRLFRIEND? No, because they aren’t together in this NEW 52 Universe. And we’re are treated once again to Kenneth Rocafort’s art, which some folks may like but I find leftover from the Image school of minimalistic art. I cannot believe the Big Blue Boy Scout is playing second fiddle to just about everybody in the cast.

SUPERMAN UNCHAINED #1: We begin in Nagasaki during the Second World War, where a bomb falls. When it opens, it reveals a man. Jumping to present day, Superman is trying to save a prototype space station called the Lighthouse that is just one of eight objects that have been hurled out of orbit today by an unknown enemy trying to destroy Earth. Not only is the station manned, it is also nuclear equipped. He uses his X-Ray vision to short out the nuclear battery, grabs the astronauts in mid-air and saves them, even as the Lighthouse lands hard. Jimmy Olsen calls Clark Kent to inform him of Superman’s successful mission and informs him he believes that this could be the work of a cyber-terrorist group called Ascension. Meanwhile, prisoner Lex Luthor quietly reads as his fellow prisoners cause havoc on the helicopter they are riding in. Superman saves the day and believes Luthor may be involved in all of these incidents. Luthor explains that his research was stolen years ago, in a well-documented theft. Later, Jimmy credits Clark for quitting the evil empire known as The Daily Planet, while Lois critiques him for writing a story about the lighthouse and not mentioning Superman and to suggest that Ascension might have been responsible. She also tells him that the seventh object had hit the water near Thailand, which is not what Superman believed. When he arrives there, he discovers a giant hand-print on the side of it. He finds himself fired upon by submarines, under the orders of General Sam Lane, who wanted the sub destroyed. General Lane is in a secret underground base with a weapon they have hiding for 75 years-a weapon that has been working for the US government.
 
I don’t quite know what Scott Snyder and Jim Lee have in mind for this title but I fear that FOUR Superman titles is at least two too many and harkens back to the bloated days of the Old DCU. And what timeline are we working with here. I assume this is modern day as Luthor is under arrest. But wasn’t ACTION COMICS set five years in the past at one point and we know the near Batman team-up title is set in the past. So, where does this fall in continuity? On the plus side, Snyder’s writing is as satisfying as ever and Jim Lee’s art is…well: it’s Jim Lee. I was a little pissed off about the fold in, semi glued posted that you needed a road map to undo without screwing up your mint comic! 

SWAMP THING #21:  Now living in a basin in Louisiana, Swamp Thing is visited by a woman shouting "Sanctuarium Folium Viride!"  She says her name is Capucine and she has come to invoke the right of "The Sanctuary of the Green Leaf", as she was promised by his predecessor some eight hundred years ago. That is when a pair of men blows his head off with a shotgun. They have been hunting Capucine who, it has been said has ten centuries of life and if a warrior finds her and kills her, he gets those years. Even though she is unarmed, she kills one of them by hand and a second with his own sword. The Parliament of Trees let him enter the Green so he can see the story from the former Avatar. He arrives in medieval France at a witch burning that is broken up by an Avatar of the Green, teling the villagers that Sanctuarium Folium Viride has been invoked. The Avatar tells Alec that those who worshipped nature were persecuted as heretics and witches and he offered the Sanctuary of the Green Leaf to any who asked. The Avatar is suddenly destroyed and Alec leaves the Green, emerging next to Capucine. Alec traces the source of the Seeder in Scotland and as he travels there, Capucine says that someone is coming for her and her time is short.

Charles Soule and Jesus Saiz try and establish themselves as the new kids in the swamp. This is a nice effort which propels future stories forward. Soule’s writing has a cool flair to it and Saiz’ art is clean and not as artsy as Paquette’s was. Still, something seems missing. Oh…I know: Abby. I’m sorry: without the love of Alec Holland’s afterlife, the character feels empty and alone. It remains to be seen how this works in future issues. Who knows: maybe Capucine will be the next Abby. After all, if Doctor Who can change companions like some folks change socks…
TEEN TITANS #21:  The Teen Titans fight the sons of Trigon. Beast Boy transforms into a T. Rex to help in the attack. Superboy gets sheathed in Raven’s Soul Self energy while Bunker and Wonder Girl battles their demon in Central Park and Kid Flash and Solstice battle the other demon brother downtown. Superboy’s enhanced power soon fades and Belial attempts to finish him off when Robin cuts off Belial’s hands with the wings on his costume. Bunker finishes off his demon by turning into a pile of bricks and burying him. Kid Flash has been possessed by his demon but Solstice hits him with a rock which knocks the demon out of him. Then they kiss. Meanwhile, Raven pulls out Belial’s heart, subduing the last of the brothers. Suddenly Trigon returns and takes possession of Bunker, Superboy, Kid Flash, and Wonder Girl.
Just when you thought it couldn’t get worse…it does! Scott Lobdell gets credit for the story, but Tony Bedard wrote the dialogue, so I haven’t quite figured out who to blame the most, but I think I lay this one at Lobdell’s feet. The cover shows the Titans on a WANTED poster. Apparently, the closest we get to that is them being watched by Amanda Waller and her cronies. So, last issue we had a bogus cover and we get another this month….with NOTHING TO DO with ANYTHING IN THIS STORY! Eddie Barrows and Jesus Merino do a bang up job on the art, but that really can’t save this title. Put the fork in it: I am done!

WONDER WOMAN #21:  Lennox, Hera and Zola find themselves being held at bay by the First Born and Cassandra. Wonder Woman arrives and attacks the First Born. Cassandra chases after Zola and explains how she was raised by Lennox. Suddenly a Boom Tube appears to save Wonder Woman and Lennox, who are taking a severe beating at the hands of the First Born. Orion arrives and realizes that the First Born is truly the threat he has been sent to end. His Astro Harness gathers up Zola and Zeke and she warns the rest to join her so they can escape into a Boom Tube. The First Born tries to pry open the Tube and it brings the Boom Tube to critical mass. Lennox decides to sacrifice himself, leaving the Harness and knocking the First Born out of the Tube. On the other side, they are greeted by Highfather, who welcomes them to New Genesis.

Brian Azzarello and Cliff Chiang do a fantastic job of bringing this story arc to a close. We lose Lennox to the graveyard of heroes, but we gain Highfather and New Genesis in the process. I continue to be a big supporter of this title as I think Azzarello’s spins on these classic characters is going to go down as being as important to the Amazon as some of the other legendary creators’ runs. And Cliff Chaing’s often imitated style is a perfect fit. Now that the characters of New Genesis are being reintroduced, I can’t wait to see what comes next.

WORLDS’ FINEST #13: Huntress and Power Girl break into the Securities and Exchange Commission building, which has approved a hostile takeover of Starr Industries by Holt Industries, in search of confidential documents they have on Starr. Soon an Apokoliptian Warhound arrives and attacks them. Realizing they are out gunned, the pair to safety. Helena and Karen hide in a home in Alexandria, Virginia but are discovered by the Warhound and attacked again. Power Girl leads the dog to a nearby factory while Helena causes an electrical transformer to short out and kill the creature. Meanwhile, DeSaad tortures and eventually murders Kubu for failing him. He then has an agent named Marbury transformed into a creature and tells him to discover if Karen Starr has the power to leave this Earth.

Paul Levitz continues on with the tale of the Earth 2’s version of THELMA AND LOUISE and it continues to be kind of a fun trip. Robson Rocha is the artist this time around and it’s okay. There is nothing spectacular about his work, but it doesn’t make me want to throw up! And Lezitz’ work on this is much more intelligent than it was on THE HUNTRESS mini-series.

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