Monday, August 12, 2013

DC's NEW 52 Month 22, Part 2



LARFLEEEZE #2: Larfleeze, trying to steal stuff, battles the Laord of the Hunt who is angry that the Orange Guardian has killed Laord’s dog. While the battle occurs, Stargrave chats with Laord’s last remaining dog, Lou. Soon we meet lackey Herb(he claims to have spent time at Lackey School). It seems that Laord’s five siblings have destroyed one Universe and now they’ve come to destroy Stargrave’s universe. Larfleesze gets knocked out and Laord has stolen Stargrave, who has been made the manservant in charge of taxidermy. He is in charge of posing creatures for Laord’s Shoe Box Diorama. Unfortunately, Larfleeze is among those creatures.

Unfortunately, even with Keith Giffen at the helm, this book is very much like reading any issue of DEADPOOL: it’s one joke. Larfleeze wants everything and constantly screams: “MINE! MINE! MINE!” Stargrave is his servant and has to deal with him. To give you an idea of how uninteresting this book was: the best part dealt with the conversations between Stargrave, Lou and Herb. And I’ll bet that most of the good jokes are coming from J.M. DeMatteis. Larfleeze and Laord fighting is like watching two kids quarreling on a playground. Now someone give them a nap!


THE MOVEMENT #3: Kartharsis gets beat up by the police, under James Cannon’s control, who orders them to bring her to the precinct so he can personally interrogate/torture her. Officer Yee voices his concern to Captain Meers that they are stepping outside of the line to allowing Cannon to question her alone. He is told that the others still have two of their fellow men in blue. Meanwhile, Rainmaker attacks Kartharsis’ friends. Virtue has Mouse capture one of Rainmaker’s people and a truce is formed. She reveals her name is Sarah and that they need to find James Cannon. After refusing to join the group, Rainmaker leaves but slips her phone number into Virtue’s pocket just as secretly. Virtue visits Meers and warns him to cooperate with them or they will destroy his precinct. Meanwhile, a homeless Gulf War veteran gets rained on by a man who has come to kill him and does. Rainmaker has been framed again.

I wish I knew Gail Simone’s intention on this title because it is one confusing ride. These characters seem like they want to be Gen13, especially with the addition of Sarah Rainmaker. She has introduced a bunch of characters with interesting powers, like Katharsis and Vengeance Moth, but she still hasn’t proven why there are different parts of Coral City that need to have The Movement protecting them. How many bad cops are we going to see, because we have only seen two so far. And what is the final connection between this title and GREEN TEAM? And who is the Cornea Killer? Overall, the book is fun and confusing and Freddie Williams II cartoon style makes it that much more with the feel of an Indy comic.

NIGHTWING #22: Nightwing visits Mayor Cole of Chicago, quizzes him about protecting Tony Zucco, now going under the name of Billy Lester, and plants a bug in his office before leaving. After eight hours of listening, Zucco calls the mayor and complains that Nightwing is hunting him. The Prankster appears on every video screen in the city, revealing that the mayor is hiding Zucco and has embezzled 52 million dollars. He then derails a subway train and disrupts all the police cruisers in the city in order to convince the Mayor to pay the money back. The Prankster has captured a good sized number of police and prepares to eliminate them, by their own means, is they money isn’t paid back. Meanwhile, Micheal's bosses at the Chicago Times are thrilled by the video he was given and want him to repeat the feat.


Kyle Higgins and Will Conrad continue the tale of Nightwing in Chicago and I still love it. Although I wish DC could continue to have artists stay on a title for month than a month at a time. I have gone down this road before, but I guess the days of people like Don Heck and Jack Kirby and Steve Ditko and many, MANY others doing multiple titles a month AND for years at a time, are long gone. That having been said AGAIN, Higgins characterization of the former Dark Knight is great and he has truly found a way to distance him from Bruce and the rest of the family. How will this whole Tony Zucco thing end? It will probably not end well for someone, possibly the Mayor of Chicago!



RED HOOD AND THE OUTLAWS:#22: Roy is hooked himself up with the Untitled to help get Jason’s memory back. Unfortunately, Jason is now hooked up with the League of Assassins and Bronze Tiger explains that Jason has been chosen as their leader. They give him a tour of the Death Market, so named because any tool of death can be bought. Bronze Tiger calls a meeting of the council, where we learn that it would take four hundred Terawatts of power to take down the city's walls. Roy has just designed a weapon capable of generating six hundred Terawatts. Drakar of the Untitled warns Roy that he must break into the city or they will kill him. Meanwhile, Starfire calls on Essence and battles with her briefly. Then she explains that Roy’s plan will only bring bad to everyone. If he destroys the gates and the seal, the Untitled will gain access to the Well of Sin. Unfortunately, Roy is already at the gates and heavily armed. 


James Tynion IV, along with artist Julius Gopez continues the internal turmoil that makes up this title. Jason has had his mind wiped and is destined to lead the League of Assassins, Roy is rushing in like The Terminator to free him and Starfire has aligned with Essence to try and stop him from unknowingly destroying the world. FINALLY, the book has stepped out of its’ “Soap Opera” styling to give us a depth of plot and drama. With Talis seemingly dead, will Jason be her replacement? And how well will that sit with Batman?


 RED LANTERNS #22:  We begin with the Lanterns arguing about what to do with Guy Gardner. Before the final decision is made whether they should kill him or not, Rankorr drops him into the lake and restores his powers to him. After getting into a brawl with Bleez, they decide to follow his lead and decide they should build a shelter. But before that happens, Guy decides to steal the flagship light cruiser of Barg. During the battle, Guy finds a storage room full of crystal corpses from Chaselon’s homeworld. Apparently they have their arms and legs removed and are sold as aphrodisiacs. Guy unleashes his rage and sends Captain Barg through the cockpit window and into space. Meanwhile, a certain Red lantern cat finds Atrocitus and brings him back to life.


Charles Soule and Allessandro Vitti continue to win me over with their take on the red lanterns. Having Guy Gardner bite the bullet and rejoin the team is a brilliant step in the right direction for a title that got too wrapped up in itself by the writing style of Peter Milligan. I find this to be a fun read again as opposed to the totally depressing thing that came before. Keep up the great work!

SUICIDE SQUAD #22: The Squad find themselves in Las Vegas to investigate a hypnotic device that causes pandemonium among the people it affects. Deadshot and Harley are undercover and get called outside by a thug who Deadshot interrogates shooting out his kneecap. The man claims that someone called "The Mother" will save him. The Unknown Soldier learns that the billboards are the source for the hypnosis. Waller Deadshot and Harley search for the second switch to shut them down. Based on the tracer Soldier put on the terrorists, Cheetah and King Shark burst into Mother's office who tells them she has already activated the billboards. A monster, constructed of electronic parts and dead people, by some of Mother’s people is heading for Deadshot and Harley. King Shark arrives and begins gnawing on the creature’s ankle, causing it to fall. The team centers their attack on the creature's chest, blowing it open and avoiding damaged to buildings in the area. Meanwhile, Waller’s scientists tell her that the Samsara Serum kills everyone that it resurrects, meaning both Deadshot and Waller may be doomed.


Ales Kot continues to twist the knife on this one, what with the team being promised their freedom in a year and now that possibly that Deadshot AND Amanda Waller are doomed to die for good. But will we ever get a full resolution to this as Ales Kot has told the world he is officially off the title with issue #24 and will be replaced by Matt Kindt-who is a great author in his own right. This book, despite all the creative changes as of late(I lose track-will Kindt be the THIRD or FOURTH writer?), still continues to be a fun ride. And Patrick Zircher’s art continues to be the one true constant here. It’s good dumb fun and I like it.


SUPERMAN #22: Hector Hammond faces off telepathically with the Queen of the H.I.V.E., with Hammond coming out on top. But he finds himself completely destroyed by a laser cannon. Moments later he awakes to find she has escaped, leaving the entire base abandoned. She is a mile away sending out a mental message to her "father", promising to get revenge. Meanwhile, Clark meets with Cat Grant where he provides a false source that might lead him to 'The Twenty': an alleged urban legend of young people with metahuman powers. Superman then meets with Jimmy, who is spending his dead parents money very quickly. But Jimmy tells the Man of Steel that his parents are missing, not dead and he is in control of the family finances until they return. An earthquake sends Superman to investigate and he realizes he is being attacked by Brainiac's tech. The H.I.V.E Queen embraces the unconscious hero, claiming that her 'father' Brainiac should never have left The Twenty behind, as they are now stronger then he ever imagined. Brainiac is coming and Hector Hammond is not happy. 


Scott Lobdell actually delivers a really good issue! We learn that ‘The Twenty’ are real, The H.I.V.E. Queen’s father is Brainiac and we’ll get to see him REAL SOON! And it sounds like the Brianiac of OLD, not that horrible mechanized thing that showed up in the last few years of the OLD DCU. Eddy Barrows art shines throughout and I find myself enjoying this issue much more than the last half dozen or so. In fact, this is probably the best issue since before the H’EL ON EARTH storyline.


SUPERMAN ANNUAL #2: Lois Lane has been murdered! Through flashbacks, we learn that the death of a young woman who sought out Lois’ help leads her to investigate ‘The Twenty’. She meets with a soldier named Sung Lee who apparently is NOT dead. He leads her to meet with Senator Hume, who was responsible for trying to get U.N. Inspectors into the Fortress of Solitude. Hume explains that all of ‘The Twenty’ had there lives altered by Brainiac, who gave them psionic powers. The Senator finds himself dying from using his abilities and passes those abilities to Lois Lane. Lois sees this as a death sentence for her. The back-up story is the next part of the WORLD OF KRYPTON story which has been running in ACTION COMICS, where Zod prepares to take over Krypton.

Okay, we have TWO Scott Lobdell stories this month that I like. The fact that the LEGENDARY Dan Jurgens is illustrating it helps! But seriously: this is a really good story that unveils the urban legend of ‘The Twenty’ and it’s Lois who gets the scoop. But now we have people dying from their ability and this could result in bad news for Lois down the road. Either way, this story will continue to echo throughout forthcoming issues of ACTION and SUPERMAN. As far as the back-up tale: I haven’t liked it to this point, so why would I like it now?

SUPERMAN UNCHAINED #2: Superman has ended up in Dubai where the terrorist group Ascension has a monster trashing a building with 36,000 people in it. After many seconds of figuring out how to save the people, partly because he ends up battling a machine called the Apollodorus, he does so with a second to spare. Later, Clark visits Batman, who tests a new device upon him. Ascension broadcasts a worldwide message where they claim they are going to war with the modern world and its’ technology. Superman goes to meet with General Lane, who tells him a fable about two roosters. Superman soon finds himself surrounded by black hole lasers. Lane’s secret weapon bursts up from below the ground and prepares to battle the Man of Steel. Meanwhile, Lois’ plane is attacked by Ascension, who cut power to the plane she is flying in. At the same time, Lex Luthor uses a war suit to escape his prison, uploads his mind into the suit and prepares to save the world. In the back-up, we learn more of Batman’s special suit which would hide him from Superman, while we learn more about the Ascension member who washed up on Nova Scotia.

So Scott Snyder and Jim Lee continue their take on the Man of Steel. I still find myself having mixed feelings about this series. It looks great, but we all know how long he can keep up the monthly pace and I expect to start seeing fill-in artists within the next few issues. Regarding Snyder’s story, it feels like it belongs in continuity and, at the same time, feels really disjointed and out of place. Plus, I have a hard time believing there is a building in Dubai that can hold 36,000 people! I know it’s a comic book, but still...! As for the back-up, a nice job of fleshing out some details from the main story and we see that batman is totally paranoid about his fellow superhero community. And just who decided to let Luthor become Savior of the Universe?
SWAMP THING #22: Over in Scotland, the Seeder asks an elderly couple what their town would wish for if it could make a wish. They would wish to reopen the distillery. The Seeder plants a seed that grows into a tree where the fruit is huge whiskey drops. When Swamp Thing arrives, he sees the town is very happy and very drunk. Constantine is also there, claiming he is there for the same reasons as Swamp Thing: investigating the tree. Swamp Thing accuses Constantine of being the Seeder. After arguing back and forth, Alec agrees that the pair should be friends again, even as he drunken townsfolk begin to fight and murder each other. He begs Constantine to help but he realizes that he has tasted the fruit and is as crazy as the rest of the villagers. He crushes a vial of blood against Swamp Thing and it causes his power to slip away. Constantine crowns himself the whiskey king and commands the villagers to play with the Avatar of the Green.


Charles Soule continues to weave the tale of The Seeder and his mysterious agenda. This is a great story so far and where it ends up is anyone’s guess…except for Soule, I guess! Kano does a great job on the art and this book continues to pay tribute to the legacy of this classic character. Although I miss her, it’s nice to see that we are moving from the era of the Alec/Abby love story that so echoed Romeo and Juliet in it’s own weird way. But do we have to put John Constantine into ANYTHING that has a supernatural tone? Just saying…

TEEN TITANS #22: Trigon attacks New York and possesses everyone but Tim, Gar and Raven. This is basically an issue long fight scene that ends when Tim shoves one of his wing spikes through Trigon’s eyes. He abandons control over the Titans and leaves. Then a mysterious team arrives from "a transpatial initiative”, take custody of Psimon and mind wipes the people of New York so they remember none of this.  It turns out that the soldiers killed were really only an illusion created by Trigon. Later, the Titans offer membership to Raven, who accepts, even though we learn she is still working for her father and being accepted on the team was part of the plan. Lastly, Kid Flash finds his name is Bar Tor and gets dragged through a dimensional portal by a whole bunch of red hands, with one of the mysterious abductors promising to explain everything "on their way home” to pay for his crimes.

Bye bye Bar Tor and bye bye to this title for me. Okay, it took me 22 issues but I’m so done with this that I don’t even want to know what crimes Kid Flash committed. I am especially done after the issue long fight scene that ends with Trigon just going away and we learn that most of what happened was only an illusion. Why? Oh yeah: Raven is still working for him and all of this was a ruse to get her on the team. Scott Lobdell needs to have his word processing abilities taken away and this is the place to start. The days of him writing compelling teen fiction are gone and I just don’t care to read his work any longer. Unfortunately, I love the Big Blue Boy Scout and feel the need to continue to read his adventures, even though they are written by Lobdell. Can we get Ann Nocenti to write this? Or even Kelly Sue DeConnick. Wow! Did I even suggest that?

TRINITY OF SIN-PANDORA #1: We begin 8,000 years BCE, where Pandora was searching for myrtus berries to heal her ill brother. She found a skull made of gold, looked into its glowing eyes and unknowingly unleashed the Seven Deadly Sins. When she awoke and returned to her village, all were dead at the hands of the demons she freed. Soon after, she was brought to the Rock of Eternity to be judged and was condemned as part of the Trinity of Sin. She was branded by scars and she was cursed to wander the world forever. After she buried her people, she then began to walk the earth. When she could, she saved who she could from the demons. Over the centuries, she learned magic from druids, wizards and healers. In today’s world, she managed to build a group of allies and planned to kill the demons she had given birth to. Just as she is about to battle Wrath, she is pulled away by one of the council members who admits that they were wrong to condemn her. He tells her she must find the box because that is the key. She needs the strongest or darkest heart to get to the great power inside. She realizes she needs someone super to open the box.

Ray Fawkes has been given the task of explaining Pandora-the one character in the NEW 52 who appeared in every single one of the original 52 #1 issues. This is going to be tough enough as he is responsible for dealing with a true character of Earthly legend. And his job gets tougher because we have no less than four artists contributing. Zander Cannon lays out 1-7 and 16-20, with Daniel Sampere penciling and Vincent Cifuentes inking those pages. Patrick Zircher handles full art on pages 8-15. All of it looks really good. That having been said, this is a fun issue and the back story is interesting. Give it a shot, because this character will tie into the TRINITY WAR this summer and may even reveal some of the reasons for the reboot.
TRINITY OF SIN-PANDORA #2: We begin in Egypt where Pride sends Envy to stop their “mother” Pandora from destroying the box responsible for their birth. Pandora is at Marcus' armory, where she is concerned that her actions have started a war. Knowing that the purest of heart couldn’t open the box, now she was going to look for the darkest of heart. At Belle Reve, Agent Kinkaid and Paul Chang, from S.H.A.D.E. and A.R.G.U.S. respectively, decide to work together to solve the case. Later, the Secret Society arrive at the crater and Vandal Savage has Signalman track Pandora. Soon at battle breaks out in Belle Reve and one of Pandora’s exploding knives gets thrown into Giganta’s eye. Savage attacks and Pandora gives him the box, as she can see the evil within him. He collapses in pain and Pandora realizes he is useless to her as he does have a soul somewhere within him. At the A.R.G.U.S. field office, Chang reveals there have been sighting of Pandora as far back as the Crusades. Kinkaid and Chang decide that she must be eliminated.


Ray Fawkes and Daniel Sampere pick up right where they left off last issue by delivering another solid issue with conspiracies and full-on action. Chang and Kinkaid represent the two secret organizations in the NEW 52 Universe and they do NOT want to work together, but must. Pandora hasn’t decided who to get to open the box, as she has tried good AND evil. Maybe she should track down Darkseid to open the box. And if she succeeds in takking away the evils in the world, will that affect next month’s FOREVER EVIL event? The book doesn’t suck yet, so let’s see where it goes from here.

TRINITY OF SIN- PHANTOM STRANGER #10:  The Phantom Stranger climbs the ladder and reaches Heaven and sees the community there, where there is a door for every person who arrives there, as every person gets to choose their own Heaven. Stranger is told that he can only bring back one soul from Heaven. Zauriel, along with Chris Esperanza(the babysitter who was slain) proceed through the various versions of Heaven until they find the family, who are sitting with Philip J. Stark sitting with them. We learn that Stark is part of their Heaven and he is only Stark’s friend Joshua. He insists the family come back to him but they explain they will always be a part of him but they must remain here. When all is said and done, The Stranger chooses to bring Chris back to life because he was truly the innocent one during all of this. Zuriel tells him that he can never come back to the eternal realm again or he will be erased from time and history. Back on Earth, Chris attempts to comfort the Stranger. Meanwhile The Question is trying to convince Terrence Thirteen that he should kill himself.
If you haven’t noticed, the title has a new name, so it ends up down here now in the listings. J. M. DeMatteis brings this chapter in the life of The Phantom Stranger to a close in an unsatisfying but expected way. Personally, I would have had him try to resurrect the guy he killed two thousand years ago, as that might have given him eternal forgiveness. That having been said, I expected him to bring back the one innocent one as the Stark family were slated to die one way or another. He just gave them some extra time because he killed Stark and made him into the Sin Eater, Fernando Blanco provides the art, which is not a surprise since it seems the NEW 52 is all about artists NOT being able to keep up with deadlines. From here, it’s headlong into the TRINITY WAR.

WONDER WOMAN #22: Once Wonder Woman is awakened from her three day induced coma, she learns Highfather had done this as she was gravely injured in her fight with the First Born and Artemis. Meanwhile Highfather is chewing out Orion for bringing foreigners to New Genesis. Diana finds Orion and attempts to comfort him. Diana asks what happened to the planet the people of New Genesis came from and he explains a great war poisoned the planets and forced them to leave. Highfather agrees to let them all go back home but orders Orion to take Zeke from Zola, before sending them through the open Boom Tube. Orion leaps onto his flying harness and follows; all part of Highfather's secret plan. When they arrive to find London in flames and finds the First Born in Westminster Abbey. He tosses Lennox's broken stone head at her feet and he unleashes an army of hyena men upon them. They all stand together to fight when War appears to assist them.

Brian Azzarello knocks it out of the park again by revamping parts of the New Gods legend AND putting our heroes against the First Born. Cliff Chiang’s art continues to provide the perfect setting for this story. I can only hope that after nearly two years, many fans can finally let go about the angst they have been feeling about Azzarello rewriting so much of Diana’s history and legend. It’s a NEW UNIVERSE and obviously some of the rules have changed. As I have stated from the beginning: I so like this take on the Amazon princess. You want traditional? Go read JUSTICE LEAGUE.

WORLDS’ FINEST #14: Helena, hiding out from Desaad and his men, wakes up in a safe house that somebody had set on fire and flees. Later Helena meets up with Karen in Woodstock where a fortune teller gives them fortune about darkness and pain. Meanwhile Desaad bemoans the fact that he is trapped on Earth Prime and needs to feed. He sends his men to attack a Starr Industries building in Oxford, where they try to steal a machine called the synchronizer. Power Girl arrives and beats the Parademons but one of them gets away and drags Helena into a Boom Tube. Power Girl follows saying: “Down the rabbit hole, right?” 

Paul Levitz continues to mix things up with this title, treating it like it’s the Earth 2 version of THELMA AND LOUISE and I love that! While it does get very disjointed at times (we go from a burning safe house to Woodstock and ice cream), his work here, as I have said before, is much better than it was on THE HUNTRESS. And Robson Rocha brings a sense of beauty to his art. Couple to that the fact that he gets to draw a lot of cleavage…well: you get the picture, sexist or otherwise.

 

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