The year is 1988 and the comic company, because this was the Eighties when
anyone with money could publish a book, was Vortex. Howard Chaykin, who at the
point had attracted a great deal of attention with his work on AMERICAN FLAGG,
TIME 2, BLACKHAWK, THE SHADOW and numerous turns for Atlas, Star Reach, DC,
Marvel and others. But in 1988, he turned BLACK KISS loose onto the comics
world and the comics world was never going to be the same again. It quickly
became one of the most controversial comics of the period, featuring offending
language along with explicit sex and violence that had only been seen before in
the world of true underground comix like THE CHECKERED DEMON, SKULL, DEATH RATTLE and FRITZ THE CAT. It was so offensive that
Vortex’ regular printer refused to print the book and they were forced to find
another printer. Retailers feared they might be busted on charges of pandering
obscenity. In response, Vortex had the books bagged to keep casual readers from
browsing them.
Twenty four years later and Chaykin has written the prequel.
Image Comics is presenting the six issue mini-series entitled BLACK KISS 2. To
understand what may be going on there, I have to present a brief synopsis of
the legendary 12 issue maxi-series.
The series takes place in L.A.
during the Eighties. Dagmar Laine, the apparent lesbian lover(actually a
transsexual prostitute) of former 1950′s film star Beverly Grove, is searching
for a reel of film from the Vatican’s
pornography collection. The reel, which stars Beverly, has been sent to Father Frank
Murtaugh and the reel is stolen by a nun before Dagmar can get her/his hands on
it. The nun is planning on using the film to gain extortion money from Beverly. The pair proceed
to convince a jazz musician named Cass Pollack to steal the film and get him an
alibi. Apparently, Pollack is hunted by the Mafia, and the police. Pollack gets
a book about a mysterious Order of Bonniface. He then ends up in a funeral
parlor with a bunch of celebrities engaging in some unusual ritualistic acts.
It seems the Order revolves around the beginnings of the movie industry and
worship a Twenties film star by the name of Charles 'Bubba' Kenton who was
married to Beverly Grove, became a vampire, and forced her to give away their
daughter Sophie.
Everyone wants the reel. The Order want it because it stars Beverly and Bubba and
tghey can convince her to turn them into vampires(did I mention she’s a vampire
too?) And Beverly
wants it so she can hide it from the world. We also learn the nun from the
beginning of the tale is actually Beverly's
granddaughter.
This was one of the kinkiest, weirdest hardcore books of all time. A
perverse noir styled story, it featured gang rape, transsexuals, sex with the
dead and enough peculiar oral sex for a lifetime. And guess what: BLACK KISS 2
looks to be even as kinky and weird.
It
begins at the turn of the century with a Nickelodeon appearing in the middle of
a New York City street.
In the prjectionsit booth, Abe Gelbfein and Rose O’Malley are havimg dirty,
foul mouthed sex. But that’s not all. The audience in that theatre is attacked
by a Succubus that has sex with everyone in every orifice. Because it’s about
the seduction of the cinema. And then, the audience leaves and the theatre
disappears. Thus ends Chapter One.
The Second Chapter is on the Titanic. And we get to swee right as it’s about to hit the berg and go
down like a sissy. We follow Charles ‘Bubba’ Kenton as he’s trying to lose his
virginity and get venereal disease in the process. But before he can do the deed, the ship
starts to go down and he gets visited by the Succubus who, proceeds to rape
him. He gets off, literally, and lives to make a movie(refer to BLACK KISS 1)
Howard Chaykin has once again decided to tear apart the
envelope of good taste. In this first issue he introduces horny characters, a
sex starved demon, a fully exposed prostitute (on the Titanic? Really?!) and
throws out so many racist, stereotypical nicknames that I thought we were back
in non P.C. times. While his artistic ability has diminished over the years,
and some of the panels look to be no more than pencil sketches passing
themselves off as finished art, Chaykin still proves he can get dirty with the
best of them. For me to say this book is not for everyone would be a gross
understatement. This book isn’t for 90% of the comic readers out there (over
the age of 18). But for those few who venture down this rocky back road,
realize that the answer to a twenty year mystery will finally be revealed.
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